Pro-Q has long been able to work its equalization magic on the mid or side channels in a stereo signal, as well as left and right, and this functionality becomes even more flexible with Pro-Q 3. The plug-in automatically configures itself to the multichannel format of the hosting surround track, and an intuitive selection panel enables EQ adjustment of multiple channels together. Pro-Q 3 works with all major surround formats, up to Dolby Atmos 7.1.2. And, of course, dynamic EQ bands continue to operate with perfect analog matching and support Linear Phase mode. An intelligent algorithm automatically chooses program-dependent attack, release, and knee settings, while the Threshold can be set automatically, according to the input signal level, or manually.
Pro-Q 3 adds the ability to switch any of its 24 bands to Dynamic EQ mode, with a simple, elegant workflow: just raise or lower the Dynamic Range ring around the Gain knob to apply smooth compression or expansion to that band. Any one of these can be linked to almost any parameter you can think of for the infinite control and modulation options.Version 3 introduces dynamic EQ, surround support, per-band mid/side processing, and more. It has the same XY bar and pad, LFO, Envelope Generator, Envelope Follower, and MIDI source control. Users of Saturn 2 will recognize this modulation interface in a heartbeat since it’s a carbon copy.
Clicking the Taps button lets you add up to 15 additional delay taps to the wet signal with configurable delay time and panning. You can also drag the repeats on the display to change the reverb tail length and feedback amount. The Delay display provides a visual reference for your delay settings and responds to the delay settings to show you what amount of dry signal is going in, how the wet signal decays over the delay taps, and how it interacts in the stereo field.
The Effects are a new addition in Timeless 3, and give a Drive saturation, Lo-Fi distortion, a Diffuse control that blurs the delay output to add a reverb-like quality, a Dynamics gate/comp, and a Pitch shifter that transposes the delay signal +/- 12 semitones for up to a full octave. Each filter can be augmented in other ways, like Q, pan, and slope adjustments like clean, tube, or metal. Above these knobs is a filter display that allows for creation of up to six filters with selectable high/low shelf, high/low/band pass, bell, or notch, with slopes between -6dB and -48dB/octave.
The last knob is for wet/dry and output panning, plus a delay mix and stereo width. The Feedback/Pan knob controls the total delay feedback and where the feedback is panned, and the Cross Feedback Mix sets the amount of crossover between channels. Around the main delay knob are additional freeze, ping-pong, sync, and read mode controls. This first pan controls the relative length of the pan, so at dead center both channels are delayed the same percentage of the tail length, and setting it left or right increases the length of those tails respectively while shortening the other. The delay is primarily controlled with a concentric knob in the middle, with the inner knob handling the delay tail length in milliseconds and the outer ring controlling the delay pan. Let’s deep-dive into the numerous features in Timeless 3: Delay and Filters Choosing the Best Digital Audio Workstation for your Home Studio.Best Acoustic Treatments for Home Studio 2021.